[摘要]：贾平凹是一位有忧患意识的作家，他密切关注着农村的发展变化，展现给读者的是厚重的农村文化，除了他来自农村，农村给了他更多的写作素材之外，我觉得更重要的是他身上的责任感，他想为他生长的故乡存照，因此在《秦腔》里记录下自己故乡鸡零狗碎的生活，因为受到新文化的冲击，也因为身上的忧患意识对故乡正在流失的文化表达了自己的哀婉！文化的守护者是人，文化的流失也是源于人，因此我将通过人物来探讨《秦腔》中文化的流失，主要从白雪和夏风的矛盾，夏天义和夏君亭的矛盾以及夏天义四兄弟和下一代子孙间的矛盾着手。到底农村文化的流失是不是因为要迎接一个更完美的新文化，当旧文化流失之后新文化会不会适合在农村生长，旧文化的流失有没有意义？这是作者借小说所要探寻的疑惑。

[关键词]：《秦腔》 农村文化 秦腔文化 土地文化 家族文化 流失

[Abstract]: Jia Pingwa is a thoughtful writer, he paid close attention to the development of the rural change, show the reader is thick rural culture, except that he is from the countryside, the rural gave him more writing material.I think it is more important to his sense of responsibility, he thought as he home record, so in the "opera" in the records of their own hometown bits and pieces of life, because of the new culture shock, because on the hardship consciousness of hometown is loss of culture to express his pathos! The guardian is culture, culture loss is derived from man, so I will through the character of "opera" cultural loss, mainly from the snow and summer wind contradiction, summer and Xia Junting and the contradiction between summer four brothers and the next generation of descendants of the contradiction between hands. What rural cultural loss is it right? Because to meet a more perfect new culture, when the old cultural loss after the new culture will fit in a rural growth, old culture loss have meaning?This is the authors borrow novels to explore.

[Key words]: "Shaanxi opera"     rural culture     Shaanxi opera cultural              land culture      family culture      loss