摘要：孟浩然和王维都大力倾写山水田园诗，并以冲淡著称。在描写景物上有相似之处：首先，刻画的景物都是清新雅淡的，不失自然真朴之美；其次，诗歌用语平淡，不雕饰，但意境幽远；再次，王维与孟浩然诗歌在表现山水时均气盛，有浑厚、雄奇、高远的特点。但若深究也有着明显的差异：首先，孟浩然重锻字炼句，王维重陶冶艺术灵性；其次，王维诗中“无我”，而且抒情方式是由景生情，孟浩然诗中“有我”，抒情方式是由情及景；其三，王维的“静”境有着闲适寂静之意，孟浩然的“静”境有“寂苦”之情。这些差异的形成与他们的人生经历、性格情怀的不同有很大关系。 

关键词：王维与孟浩然；山水田园诗；比较

Abstract: Both Wang Wei and Meng Haoren devoted their major efforts to     writingidyl, and both of them are famous for slight description. There are similarities in scenic description: firstly, they got the true meaning of the nature by slight depiction. Secondly, their idylls were magnificently conceived although the words were flat. Thirdly, a kind of simple, grand and unusual atmosphere was created in their works. But if we go into their style seriously, differences would be apparent. At first, Meng Haoran reinforced in refining words, while Wang Wei reinforced in moulding his artistic intelligence; for the second, Meng Haoran “hide himself in his poem”, so his lyric style is that he had something to say at the beginning, and then wrote about it; while Wang Wei just wrote the scenery moved him. For the third, the “quietness” of them is different. That of Meng Haoran is a kind of “painful loneliness”; while that of Wang Wei is a kind of “leisured and comfortable quietness”. All of these differences should be attribute to the distinguishes of their life experiences, personalities and feelings between them.

Key words: Wang Wei and Meng Haoran;  idyl;  comparisons