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摘要:京剧,是我们国家的国粹。在18世纪末,以徽班进京为标志,在随后的岁月中,它在北京成熟壮大,向全国辐射,成为雅俗共赏、普及最广的国剧,同时具有全国性、典型性的剧种之一,它几乎遍及全国城乡。作为集中国戏曲之大成者,它的形成过程是不断博采众长的过程。然而,随着时代发展,与其他的各类艺术形式一样,它也不免走向衰弱,如果在这种新的环境下,在京剧原有的艺术文化基础上,融合这个时代新的艺术元素,也许会对京剧的发展起到积极的效果。 关键词:Q版绘画、京剧表现方式、商业插图
Summary: Beijing Opera, is the essence of our country. In the late 18th century, marked by HuiBan performers, in later years, it in Beijing to mature and strengthening national radiation, become the most extensive refined and popularize Chinese, with national, typical operas of urban and rural areas, it almost throughout the country. As a collection of Chinese drama DaChengZhe, its forming process is constantly eeking process. However, with the development of times, and other various art form is same, it is unavoidable to weak, if in this new environment, in Peking Opera based on the original art and culture, embodying this era new artistic elements, the development of Beijing Opera may play a positive effect. Key words: Q version painting,Beijing Opera performance way,commercialillustration
Q版文化作为一种新兴文化已经在社会上受到人们的广泛喜爱,而这种用Q版风格造型对京剧中的各类人物进行重新表现的方式,也必将同样受到人们的喜爱,当人们这种自觉或不自觉的对这类Q版京剧投以更多目光时,也在无形中促进了人们对京剧的了解。随着了解的深入,一些原先对京剧不甚了解,或者毫无兴趣的人们,也许会渐渐领略到京剧的魅力。凭借京剧近两百年辉煌灿烂的历史,它的艺术魅力是毋庸置疑的,而当人们真正发现它魅力的时候,也许很难不会爱上它。所以说,这种Q版京剧人物造型对京剧未来的发展来说是积极的,有帮助的,同时也是能够为京剧文化所接受和包容。
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