论许渊冲译《牡丹亭》唱词中三美原则的体现_英语论文.doc

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Abstract: The Dream in Peony Pavilion, written by Tang Xianzu in Ming Dynasty is a shining pearl in the history of Chinese literature. The refined and exquisite language made this work famous and immortal. Like other Chinese poems and ancient literature, aesthetic images and lyrical languages are the core of Dream in Peony Pavilion. For a long while, many translators, overseas or domestic, have been working for translating this Chinese masterpiece. However, the different history background and culture diversities made this work hard and complicated. Professor Xu Yuanchong is an outstanding translator and has made contributions to the translation of ancient Chinese poetry. In the thesis, author will analyse the version produced by Professor Xu Yuanchong, from the aspects of story, characters and languages. The author will analyse how the ancient Chinese librettos be translated into English, how he employs his “three beauties” principle — “aesthetic in sense, aesthetic in sound and aesthetic in form” into translating beautiful languages and beautiful images in Dream in Pony Pavilion.

Key Words: Xu Yuanchong; Dream in Peony Pavilion ; “three beauties” principle; translation theory; translation practice.

 

CONTENTS

Abstract

摘要

1. Introduction  1

2. Xu Yuanchong’s Three Beauty Principle . 2

  2.1 Introduction 

  2.2 Pros and Cons

3. Introduction of Dream in Peony Pavilion. 3

  3.1 Story

  3.2 Characters

  3.3 Language 

4. Delivery of “Three Beauties”. 5

  4.1 Representation of Aesthetic in Sense

  4.2 Representation of Aesthetic in Sound

  4.3 Representation of Aesthetic in Form

5. Conclusion

Bibliography

Acknowledgments

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上传会员 白鲸 对本文的描述:明代汤显祖的作品《牡丹亭》是中国传统文学宝库中的一颗璀璨明珠,以其精致的辞藻闻名于世。 和中国文学史上其他大作一样, 美丽的意境和充满音律美的诗歌语言是《牡丹亭》的核......
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