[摘要] 中国古代很少有以儿童为生命个体专门为儿童欣赏而创作的儿童文学，没有独立的价值可言。随着五四时期的觉醒，先进的知识分子开始关注属于儿童的文学作品。儿童文学因此顺时而生,并由此蓬勃形成一股创作儿童文学的潮流。五四时期成长起来的作家大多数从事过儿童文学的创作, 叶圣陶可以说是中国现代童话的开拓者，他的童话集《稻草人》在中国童话发展史中具有不可磨灭的开创地位。同一时代的丰子恺也本着儿童精神的坚守，创作出一系列的童话作品。他们虽为同时代的童话作家，但拥有了不同的儿童的视角，各以自己独到的特色,在儿童文学的艺术之廊中竖起了醒目的丰碑。

[关键词]  叶圣陶； 丰子恺； 儿童文学； 比较

[Abstract] The Chinese have few with children in the individual life specifically for children's appreciation and creation of children's literature, no independent value whatsoever. With the awareness of the May 4 movement period, advanced intellectuals begin to pay close attention to is a children's literature. Children's literature so chronological and health, and thus become a vigorous creation of children's literature tide. The time of the writer grew up in most children's literature creation, say Chinese modern fairy tale is organizing the Portland trail blazers of the scarecrow "in Chinese history in fairy tale with indelible create a position. The same age also in line with the spirit of his children to, created a series of works of fairy tales. Although they for contemporary writer of fairy tales, but have different child's view, each with its own unique features, the art of children's literature in the corridor of marked up a monument.

[Key words]  Ye Shengtao; Feng Zikai; founder; comparison

 随着对儿童的发现，一批作家带着他们的童心怀着对祖国儿童的关爱，为中国儿童创作了属于他们自己的儿童文学作品。叶圣陶和丰子恺是当时对于儿童问题有卓越贡献的两位作家，他们不同的生活环境、性格特征、生活态度使他们拥有了不同的看待儿童的视角，从而形成了不同的儿童创作观。叶圣陶的童话首先为中国现代童话开创了一条自己的道路。此时，创作童话的研究开始出现，童话观念也发生了根本性变化，从童话被认为只是一种“原人之文学”的局限中摆脱出来。进入一个带有全新的现代意识的创作童话境界。叶圣陶的童话以其现实的创作精神，真善美的创作理念与鲜明中国特色的紧密结合，开启了中国现代童话的创作之门。叶圣陶和丰子恺这两位同时代的作家，用他们的童心为儿童铸造了童话的世界。