摘要：“中和”美学思想是我国古典美学的重要范畴之一。在它形成时就表现出了独特鲜明的美学特征,成了中国古典美学的重要基石。

　　诸子百家将中和或中和之道作为根本的世界观和方法论。从适中和谐、强调和谐以及崇尚感情的节制，中和思想的审美特征完全表现出来。

　　儒家美学思想对我国的传统艺术产生了巨大的影响，形成了独特的“中和”美学思想。儒家“中和”美学思想反映在审美与艺术上，则深刻影响了中国传统艺术特殊风格,形成了中国传统艺术崇尚含蓄美的特点。

关键词:中和； 美学特征； 美学意义

Abstract： Neutralization aesthetics in China is one of the important classical aesthetic category. In it formed unique demonstrated the aesthetics characteristic of bright, became a cornerstone of classical Chinese aesthetics. 

The pre-qin times and the way of and will or as fundamental world outlook and methodology. From harmony, emphasis on harmonious and advocating the feelings of moderation, thought and aesthetic features of completely demonstrated. 

Confucian aesthetics thinking of the China's traditional art has had a huge impact, formed a unique "and" aesthetic thought. The Confucian "and" aesthetic ideas reflected in aesthetics and art, is a profound influence on the Chinese traditional art special style, formed the Chinese traditional art advocates implicit beauty of the nature. 

Key words: Neutralization   Aesthetic characteristics   Aesthetic meaning