摘要：台词是构成一部电影的基本要素。编剧、导演等通过对台词精巧的设计，展现角色的身份、地位和性格等特点，从而塑造了丰富立体的人物形象，并进一步制造了戏剧冲突，推动了情节发展，直至高潮、结局。本文将对电影台词的语用角度研究进一步细化，从 Austin和 Searle 的言语行为理论出发，以第 89 届奥斯卡获奖影片《海边的曼彻斯特》（Manchester By The Sea）的台词为语料，分别对说话人自身、对话双方以至电影台词对人物、剧情设置的影响进行分析，目的是揭示会话发生时话语行为、施事行为与取效行为的内在逻辑关系，帮助编剧、导演、观众等对台词设计、角色刻画、推动情节发展戏剧性与合理性的理解，也为演员念词、表演，生动准确展现人物系与内心世界提供了参考。

关键词：《海边的曼彻斯特》、言语行为理论，电影台词，内在逻辑关系

TABLE OF CONTENTS

ABSTRACT

摘要

Chapter One Introduction-1

Chapter Two Framework of the Speech Act Theory-3

2.1The speech act theory-3

2.1.1Subdivision of speech act-3

2.1.2Subdivision of illocutionary act-4

2.1.3Logical relationship between illocutionary act and perlocutionary act-5

2.1.4Study on the movie lines in terms of pragmatics-6

Chapter Three Introduction to the Movie Manchester by the Sea-8

Chapter   Four   Study   on   the   Movie   Lines   in   Manchester   by   the Sea-10

4.1Analysis of the logical relationship between locutionary act, illocutionary act and perlocutionary act of a speaker

himself-10

4.2Analysis of the logical relationship between Locutionary act, illocutionary act and perlocutionary act of both sides

of a dialogue-11

4.3Effect of movie lines on the settings of the roles and plots

Chapter Five Conclusion-14

REFERENCES-15

ACKNOWLEDGEMENTS-16