内容简介

《如今错乱的我们》是剧作家艾伦·马斯泰（Elan Mastai）的作品。这是一部科幻小说，主要用于帮助学生能够更多地了解未来，增强其科幻想象力，激发对异国科幻作品独特魅力的求知欲，切身感受国外科幻小说的艺术内涵，并产生独特的科普阅读效应。

此次翻译实践，节选的是《如今错乱的我们》第 10 章到第 20 章，主人公汤姆介绍了他父母的故事。在经历母亲去世后他迷失自我，进入父亲的研究所工作并与佩内洛普共事。科幻小说的翻译存在着很多难点，一方面是作者脑洞之大与逻辑之怪，另一方面艺术源于生活但又高于生活，是现实不可触及的领域。康斯坦丁·齐奥尔科夫斯基说过：地球是人类的摇篮，但是人类不能永远生活在摇篮里。通过此次翻译实践，激起读者对科幻未知事物的探索，收获科幻知识、观点和思维方式，欣赏其他类型小说欣赏不到的人物和故事。

翻译实践小论文部分则包括四部分:1 .作品简介 2. 翻译过程简述 3 .翻译过程中的问题和解决方法 4. 结论

INTRODUCTION

All Our Wrong Todays, a novel of the playwright Elan Mastai, is a science fiction, mainly used to help students learn more about the future, and enhance their scientific fiction imagination. It also inspires curiosity about the unique charm of exotic science fiction works, letting us experience the artistic connotation of foreign science fiction  as well as generate special scientific reading response.

This translation practice is an excerpt from chapter 10 to chapter 20. The protagonist, Tom, introduced the story of his parents. After losing himself for his mother's death, he entered his father's research institute, working with Penelope. There are many difficulties in the translation process. On the one hand, it is the writer's brainstorming and the strangeness of logic. On the other hand, art comes from life, but dramatizes life. Thus it is an area that cannot be touched by reality. Konstantin Tsiolkovsky said: Earth is the cradle of mankind, but man cannot live in the cradle forever. Through this practice of translation, readers are inspired to explore unknown things existing in science fiction, gain science fiction knowledge, perspectives and ways of thinking and appreciate the unique characters and stories that do not exist in other types of novels.

The essay on translation practice includes four parts: 1. Introduction 2. The process of translation 3. Problems arising from translation and solutions 4. Conclusion